![]() We're just kind of stringing along the pieces of their life for the audience to connect with."ĭon’t miss out on ET Prime stories! Get your daily dose of business updates on WhatsApp. "This is a co-creation, shot by them and starring them. Turn in turn out cop out torrent, Tutto e sciolto translation english to. We see them as the authors of their own myth and this as kind of a mythic love story," Dosa said. Hamburguesa con cebolla caramelizada para, Werner herzog fitzcarraldo review. "We wanted to kind of lean into that idea of them playing themselves from an early stage. The film even begins with credits starring "Katia and Maurice Krafft." In other words, "Fire of Love" is anything but a filmed Wikipedia page. ![]() "But there's kind of a true spirit to Katia and Maurice that extends beyond the literal factual." And at the same time, we wanted to tell a story that felt true," Dosa said. "It was important to us to, of course, tell a story that's factual, that was accurate and reflected their lives and lived experience. So they leaned into the absurdity and profundity of this strange love triangle with a "deadpan curious" narration by Miranda July and an original "retro-futuristic" score from Nicolas Godin of the French music duo Air. Even their writings, Dosa said, reminded her of the narration in Francois Truffaut films. The Fire Within: A Requiem for Katia and Maurice Krafft, backed by Abacus Media Rights, tells the story of the French volcanologists, which were not only brought up in Herzog’s previous film Into the Infernohis 2016 collaboration with volcanologist Clive Oppenheimerbut are also the subjects of this year’s Sundance sensation Fire of Love. Taking inspiration from the time when the Kraffts were coming of age, Dosa and her team decided to draw on the aesthetics of French New Wave films to help inform the tone and style of their film, including playful split screens and zooms. In their writings and recordings, they wrestle with themes of existentialism." "They were so playful and full of humour. "I wanted to be guided by Katia and Maurice first and foremost," Dosa said. ![]() ![]() A line written by Maurice Krafft in one of his books helped justify something Dosa was already onto: That this was a love story. With the help of Image'Est, an archive house in Nancy, France, and Maurice Krafft's brother, Bertrand Krafft, Dosa and her collaborators were able to get remote access to over 180 hours of 16mm footage shot by the Kraffts and start piecing the story together. ![]()
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